1.0IFFR ENhttps://accept.iffr.com/enIFFR ENhttps://accept.iffr.com/enrich600338<blockquote class="wp-embedded-content" data-secret="ekf4T708hQ"><a href="https://accept.iffr.com/en/iffr/1993/films/plastic-jesus">Plastic Jesus</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://accept.iffr.com/en/iffr/1993/films/plastic-jesus/embed#?secret=ekf4T708hQ" width="600" height="338" title="“Plastic Jesus” — IFFR EN" data-secret="ekf4T708hQ" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> Plastic Jesus was banned immediately after production in 1971 by the Yugoslav authorities and the young writer-director Lazar Stojanovic was locked up in jail for three years. The comparison in the film between Nazism and Titoism, was apparently too much for the censor, although the metaphorical (hence subversive) use of certain archive material and the […]