A film and theatre production group is working on a play based on interviews with women working in nightclubs. During the preparations the group members are actually thinking aboutsomething else. One of them looks in a cutting room at slides taken during the making of a documentary in Iraq, more than ten years previously. Within the group a plan emerges to return to Iraq. They want to revisit the people they met then and ask them about their experiences during the Gulf War. They want to visit the famous old cultural places and see what the war has left intact.Work continues on the theatre project, but they cannot concentrate. They have the idea of acting the filming in Iraq like a play. This play could in turn provide scenes for the film. Other things are redoubled: the film opens with a dream in which a storm suddenly rises in a room where an actress is preparing for her role. In the end, telephone conversations with a producer in Paris have to decide whether the project goes ahead or not.
Ook in dit verzamelprogramma
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Fil al laylato ed dhalmaa
Mounir is a film-maker. He is sitting in his living room glued to the television. It continuously shows pictures of the Gulf War. A shot… -
Fi al bahti ‘an Shaïma
The film opens with the famous words of Martin Luther King: ‘I have a dream, that one day, this nation will know its creed.’ The… -
Sekatat sherazade an el kalam el mubah
A family gathering in Tunis during Ramadan, just before the end of the fast. The relatives prepare for their first meal. They gather round the…
Film details
- Productieland
- Morocco
- Jaar
- 1991
- Festivaleditie
- IFFR 1992
- Lengte
- 40'
- Medium/Formaat
- 35mm
- Taal
- Arabic
- Première status
- -
- Director
- Mustapha Darkaoui