+—A look back at the late Weimar era with its struggles and celebrations leading up to a world war. Scored to John Zorn’s arrangement of the Kurt Weill song ‘Little Lieutenant of the Loving God’ and drawing its imagery both from the original song and its rearrangement, the film presents an internal reading of Silvers’ solo scored to the same musical piece, largely shot in a small studio employing rear screen projecti¡on.
