-stat.ic colours
Combined programme
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IFFR 2003
Eight ghost tracks, that will pop up at odd occasions during the festival before the screenimg of a film. Prior to every ghost track, a stat.ic trailer is screened several seconds long, made by the Filmwerkplaats, a workshop for experimental film in Rotterdam. The trailers are each unique, scratched directly onto film by Pim Zwier and Hanne van Asten.
In dit verzamelprogramma
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Bleip: more
A profusion/confusion of visually and musically exacerbated contradictions produce a hypnotic feeling. Sound and music come together in a unified ballet. -
Play
A celebration of friendship, playfulness and harmony, formed through a combination of digital animation, live video and music. -
Chromaburst
Super8 footage of neon lights is used as raw material for this abstract film, which has been treated with bleach and inks to create intricate… -
The Abstraction isn’t Sexually Stimulating
Anne Mie van Kerckhoven: ‘Animation of a drawing from my subconscious.’ -
Pharmacie
The blinking neon signs of pharmacies in Cannes a first aid sign for sick people are turning into a competitive meta sign among other urban… -
Vincit Veritas
reMi has rummaged through the visual reservoir of Europe’s intellectual history, stopping in the early years of printing. The past is quoted and identified as… -
Snarl-UP!!!
Collage of synchronised sound elements and picture elements. Visual break beats or the atmosphere of a digital interpretation of Len Lye’s Dance of the Rainbow… -
Shadow
About the landscapes of the kitchen. And parts of a woman’s nude body. The film becomes astringent, as it changes from the first half. -
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1305
Augustin Gimel: ‘A pinhole camera as an instrument to measure luminosity. Birth and growth of light according to Fibonacci’s suite.’ -
Blinq
Billy Roisz plays with the relationship between sound and image by manipulating electronic fragments, feedback loops and electroacoustic impulses. -
Pitbudp
An abstract visual interpretation of a musical piece by Peter Rehberg, built upon a graphic language of moving black & white blocks. -
Ya Private Sky
Stom Sogo: ‘Of all the versions of this film (the first part was five hours long), this is the final and really the best version.’ -
WHY Re-Mix 2002
Manipulation of images of a boxing match. Images are reduced to pixels and dots and filmed again. Originally produced in 1975 as Why. -
Simone
Inspired by the game Simone, this project shows us the very disrupted connection between the player and game.
