Often implicating the viewer in a voyeuristic situation, Dwoskin uses the camera as an extension of the eye – looking and capturing spontaneously as it relates, responds, feels about the other (the model), the eyes being the extension of the ‘mind’. In this film, these staged meetings take place in retrospect.
Ook in dit verzamelprogramma
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Dear Frances
Recognisable mourning in this portrait of Frances Turner, a friend of the maker who died suddenly last year. -
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Film details
- Productieland
- UK
- Jaar
- 2003
- Festivaleditie
- IFFR 2006
- Lengte
- 20'
- Medium/Formaat
- Betacam SP PAL
