A static video registration shows how thirty janitors of apartments in the city of Sao Paolo enter their typical ‘living rooms’. Everything is there, the refrigerator, the green plant, the television set and the sofa. The janitors all share one of the three family names as featured in the title of this work. As in their other works, the artists build a bridge between art and sociology, inspired in this instance by Pierre Bourdieu.
Ook in dit verzamelprogramma
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Blow_Up TV
Installation with meticulously constructed boxes that show an endlessly changing colour sequence. The boxes represent all the pixels from which a news -
John Logie Baird
John Logie Baird, an independent inventor and scientist, demonstrated television for the first time in public on 26 January 1926 in his small laborato -
The All Seeing Eye, The Easy Teenage Version
Installation in which a bourgeois apartment is built up and then broken down again in front of our eyes in successive movements of a turning… -
Feed Carnivore
This installation represents a television of the future as that would now be, amplified and speeded up towards oblivion, with their montage without hu -
Fore Cast
And installation within which the weatherman departs from his usual rational and self assured performance. He returns to the hopelessness that accompa -
Perpetual Motion in the Land of Milk and Honey
Installation with a small shed in the middle of a blue-screen film set, with synchronised projection of the video of Al+AL for Channel 4 and… -
Alpha-Zulu
Installation with pictures of all the flags that Dekyndt could find in the world, including the states that the United Nations does not recognise. -
Globe ground, grounded
Installation with `mental maps’ by a Berlin painter and designer, psycho cartography of his world trips with images of globalised landscapes. -
The Nightwatch
Installation generated from the advanced CCTV (closed-circuit television) system of the National Portrait Gallery with the fox Bandit free at night in
Film details
- Productieland
- Brazil
- Jaar
- 1998
- Festivaleditie
- IFFR 2006
- Medium/Formaat
- -
- Première status
- -
