In an inspired setup, Morgan Fisher taps into the near-infinite nuance and complexity to be found in human performance. Unlike much narrative cinema, for which numerous takes are often required for actors to unlock the ideal natural performance, any more than one take would have destroyed this film and rendered it impossible. (Mark Toscano)
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The two filmmakers had a bet: how easily can you tell the difference between a moving image of a still object, and a freeze frame…
Film details
- Productieland
- USA
- Jaar
- 1968
- Festivaleditie
- IFFR 2011
- Lengte
- 11'
- Medium/Formaat
- 16mm
