After After the End begins appropriately enough with scrolling end credits. It’s a fascinating film, which smashes and grabs elements from Prouvost’s The Wanderer (2011) to set the scene for a Kafkaesque trial of cinema’s narrative devices and techniques. Laure Prouvost’s mastery of her medium reigns supreme.
Ook in dit verzamelprogramma
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The Dragon Is the Frame
Enigmatic but truthful, watching Clark’s diary-like film is like solving a mystery with no crime in sight. A heartfelt poem for artist Mark Aguhar. -
Your Silent Face (fucking finland series)
A melancholic slab of perfect pop and intuitive documentary video, shot on the docks of Rostock as a Baltic ferry leaves port for Hanko, Finland. -
Accent Grave on Ananas
Accent Grave on Ananas is a full three-minute slice of gorgeously flawed perfection. We’re on paradise beach, but still no-one’s answering the phone. -
Depositions
Past thoughts on collectivity and the future are ruminated upon in this collage film made up of archival footage from Scottish television. See also To -
Lucas
About storytelling more than the story, Pijnappel plays with word-image associations to illustrate the gestures made in the act of telling a tale.
Film details
- Productieland
- UK
- Jaar
- 2014
- Festivaleditie
- IFFR 2015
- Lengte
- 9'
- Medium/Formaat
- DCP
