Above the Teviot River in Scotland, the filmmaker saw a colour in the sky like in the paintings of Gustav Klimt. He translates his amazement into fluid patterns of a digitally decomposed scene, all the way to its radical ending when the variously coloured grids again dissolve into Klimt’s golden colour.
Screens before The Harvest.
Film details
- Productieland
- France
- Jaar
- 2018
- Festivaleditie
- IFFR 2019
- Lengte
- 9'
- Medium/Formaat
- DCP
