Picking up on Pierre Schaeffer’s musical theory, this video essay looks at the final scene from Robert Aldrich’s Kiss Me Deadly as a source of concrete sound. No additional sounds were used. The stroboscopic audio is nothing but the original soundtrack, dissected and interrupted by clicking manually from frame to frame.
Ook in dit verzamelprogramma
-
The Modernist
“Make America great again?” Opie’s first film, a silent, black-and-white photo-novel, deals with a pyromaniac who targets modernist -
J
A reclusive cartographer briefly engages into a dialogue with a woman. The whole world shivers when these two people get close. -
Edges: Waves
Everything happens at the edges of the frame here. The action is minimal: two lines build up an undulating pattern and unfurl again.
Film details
- Productieland
- Switzerland
- Jaar
- 2018
- Festivaleditie
- IFFR 2019
- Lengte
- 4'
- Medium/Formaat
- DCP
