What does it mean to be a jack of all trades and a master of none, during a time where more than ever, we see more crossovers and interdisciplinary approaches taking place? In fact, there are a multitude of young visual artists that successfully blur the line between the art scene and film landscape, showing that it’s possible for these worlds to intersect, strengthen and inform each other. But what does this balancing act look like? How much authorship can you maintain in an inherently collaborative profession? How can you be a filmmaker without letting go of being a visual artist? What does it mean to be both?
