Kari Fisher, accompanied by family and friends, revisits the many Canadian houses in which she has lived – comparing fuzzy memories with their present-day realities. There is an echo of James Benning’s autobiographical films, but in a completely different style: scratchy, jittery, black-and-white footage is paired with raw fragments of recorded sound. The abrasive materiality of the ‘glitch’ matters as much as the nostalgically affectionate content.
– Adrian Martin
Ook in dit verzamelprogramma
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Omen
Veteran experimentalist Peter Rose alternates ominous views of nature scarred by civilisation and subterranean passageways. -
RE:EXPOSURE
Investigating the idea of skin – body and image – and the effects of time and light. -
Verdigris
A historical, political, artistic and Situationist inquiry into the architecture of the Paris Métro system. -
gestures toward Plant Vision
Can plants see? A lyrical cinematographic evocation of how plants are photo-sensitive to light. -
A Letter from Elli
A hauntingly lyrical treatment of traces from a troubled, early 20th century life in Latvia. -
20/68 Schatzi
Master Austrian structuralist Kurt Kren moves from busy, unbridled abstraction to an ultimate pictorial shock. -
Roseblood
A dance film using the means of cinema to fragment and reassemble a woman’s gestures.
Film details
- Productieland
- Canada
- Jaar
- 2025
- Festivaleditie
- IFFR 2026
- Lengte
- 6'
- Medium/Formaat
- DCP
