Andrew Lampert
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Andrew Lampert op IFFR
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77
Robert Breer | 10' | USA | None
In 77 we see a number of simple mechanic objects spiral out of a spray-paint nebula then implode into pure pattern and line. -
A Man and His Dog Out for Air
Robert Breer | 3' | USA | None
The first hand-drawn film by Breer that involved a continuous cartoon-like movement. One of his most accessible. -
Jamestown Baloos
Robert Breer | 6' | USA | None
Cut-outs of war machines and the figure of Napoleon encounter abstract shapes, line drawings, old-master landscapes and short bursts of ‘real-time’ la -
Le mouvement
Robert Breer, Pontus Hulten | 15' | USA | None
Filmed during the exhibition with the same title, in April 1955, considered the first show exclusively devoted to kinetic art. -
Form Phases IV
Robert Breer | 13' | USA | None
This refined film gives us an idea of what Breer might have done if he had continued making ‘elegant’ films, classically balanced and serene. -
Form Phases II
Robert Breer | 4' | USA | None
Geometric shapes using the same ‘vocabulary’ as the painters from the Bauhaus movement. -
Blazes
Robert Breer | 3' | USA | None
A continuous explosion. Breer made a hundred images, created by gestural brushstrokes and switched their positions for four thousand frames. -
Un Miracle
Robert Breer, Pontus Hulten | 1' | USA | None
Pope Pius XII juggles with balls, then his head, then goes off to Paradise. Without his arms. -
69
Robert Breer | 5' | USA | None
Animated geometric volumes are following the codes of perspective and thus create the illusion of screen depth. -
3rd Degree
Paul Sharits | 24' | USA | None
3rd Degree, 1982, 16mm, 24 min, colour, silent, courtesy Anthology Film Archives